Departures and Arrivals.

A couple weeks ago, we had a couple strange weeks and I'm finally getting caught up enough to write about it. As stories go, this one tends toward the long and convoluted end of the spectrum, including more than 1,300 miles in the car, two funerals, the birth of my first nephew Simon Gregory Gross, and a one-eyed dove named Blind Pete. If you want to know more, buy me a beer and I'll explain the whole thing. But for the purposes of this post the abridged version is fine.

Above is a photo of the orchids that were blooming in my Grandmother's house when she passed away. We were already in Michigan at Sarah's grandfather's funeral when she died. Doc had passed away the weekend before, Memorial Day Weekend, and we had gone to be with family there. So after the services in Alpena and several meals that included kielbasa (both smoked and boiled) we said our goodbyes, loaded up the car, and went straight to Southern Wisconsin. Do not pass home, do not collect clean laundry. At least we already had our dress clothes.

For me, the photo above says more about my Grandma than many of the photos of her. Maybe because Grandma always seemed more absorbed in the things she was caring for than herself. Constance spent a great deal of time shuffling her orchids around the house, moving them from light to shade, from the warm sun room on the back of her condo down to the cool dark of the basement. She cared for them and in turn they bloomed for her. They kept her busy. Before the orchids, it was finches. Sometimes more than a dozen at a time chirping and hopping around their cages. I remember a tiny nest once with two impossibly small eggs. Grandma joked about omelets.

Before the finches filled the empty nest, there were her children. Seven of them. My Grandfather passed away young. He was 51 years old. Grandma Constance raised the family on her own, going back to work after years as a stay at home mother. She did a variety of things in her career, but the only one I really know much about was her work as a chemist at Rayovac. I remember visiting her at the lab when I was little and thinking that it was her job to be a mad scientist. Probably not far off. All seven of her children went to college. All seven earned degrees. And all seven were in Madison two weeks ago for her funeral, each of them incredible people in their own right.

Grandma passed away on the first Friday in June, and the following Friday, my brother and his wife had their first child: Simon Gregory Gross. Simon is Constance's first great grandchild. Despite his early arrival (by almost 2 months), Simon and Grandma stilled missed each other by a few days. So it goes. Simon is small: 3 pounds 8 ounces at birth. But as it turns out, he's also a tough little guy and, despite some struggles, he's steadily improving. I can't even describe how excited I am to be an uncle, and to know that Simon and my sister-in-law are doing well. We're anxious to meet him.

Looking back at the last few weeks, I'm reminded of the words of my favorite philosopher, the Big Lebowski: "Ah, you know, strikes and gutters, ups and downs." I've spent a lot of time thinking about these recent arrivals and departures, the cycles of everything. The strikes and gutters, if you will. I've been thinking about what's actually important, instead of what seems important at the moment. About all sorts of things that I don't usually think about. And really, for all my thinking, I don't know that I've come up with anything new. No answers, per say. But I want there to be something bigger. Some take away message. So far, the lessons all sound like the motivational quotes in Hallmark cards: cherish your loved ones, rejoice in your health, live life to its fullest. Well of course. Didn't we know all those things already?

So, I guess the most important thing I learned is that maybe life is random, but at least the happy and the sad seem to average each other out. There's at least some comfort in that. I also learned this: one-eyed doves, lacking the binocular vision required for depth perception, have an unfortunate tendency of flying directly into hard, immovable objects. But that's really a different story all together. I think there's a metaphor in there somewhere...I'll keep thinking about it.

Loons.

Spent the day out covering loon research being done on the Turtle-Flambeau Flowage. I love these sorts of assignments because they get me way closer to the wildlife than I would ever go on my own. It's always nice to have the supervision of a professional with stuff like this. Really cool research method, too: they're using trail cams to monitior predation on the nests. I'm not going to spoil any of the surprises, but I will say they're getting some really interesting stuff.

Being a Photographer.

Two weeks ago our wonderful incredible friends Megan and Robert had a beautful little baby girl and we got to meet her this past weekend. As you may have guessed I took a photo...or two. We also went to my brother's baby shower, he and his wife are due later this summer. It's pretty incredible to meet a little person like this, or think about my brothers son who we'll get to meet soon, and know that I will be taking pictures of these people for a very long time. May be that sounds like a silly way to think about it, but that's what it means for me to be a photographer. I can't really separate that part of me from the rest of my life, they're one in the same. It means I'll take their pictures the first time we meet. And it means I'll be there to see them toddling around in diapers, maybe when they're riding their first bike. I might take their senior portraits, get a photo of them at college graduation, maybe even shoot their weddings. I might take photos of each of their first children. Pretty crazy.

I love being a photographer, but I struggle with the business end of it. I don't like the invoices, and the e-mails, and the spreadsheets. Taxes don't necessarily come naturally to me. And really, I could take or leave some of the more mundane marketing photographs that I take. But all those other things pay the bills. They keep lenses in my bag and a camera on the table. And for that I'm grateful. They make it possible for me to be a photographer, and be there with a camera for moments like this. So, they're worth it.

Nature Film-Sneak Peek 2.

Another little rough cut of footage shot for the nature film. Again, we're still right at the beginning here, but I'm getting more and more excited about this project. Pretty fun. And of course, Marvin had to take a crack at it too. Turns out he's not so great at action footage. But I still see the possibility for some other interesting film snippets with him.

 

Nature Film-Sneak Peek.

I've been in a big debate with myself about whether I'm ready to announce this or not, but at this point I'm too excited to keep it to myself. So here's a quick sneak peek at a scene from the new nature film centered around the Souix River currently in production at Hired Lens Photography. This is just a rough cut of some recent footage that will be part of one scene. But don't expect to see a final cut any time soon. If this project is a marathon, we're still not even to the first mile marker. There's hours of footage still to be shot and logged, narration to write and record, and, of course, the most tedious bit of all: the editing. Right now, I'm tentatively looking at Spring 2013 for an actual release of the full film, but that could (and probably will) get pushed back even farther. I'm just trying to be honest with myself, these projects take some serious time. Not to mention, I still need to get footage from three more seasons. I'm also looking for a few more sponsors. That's part of why I'm sharing a little preview right now. I have a couple partners/sponsors on this project already, but I'd love to get a couple more. Any one interested? Drop me a line.

Little Ones.

 Just a couple of my favorites from a photo shoot I had a couple days ago with little Abigail and her big brother "Batman." This is hands-down the happiest baby I have ever seen. She did nothing, but smile and laugh the whole time. Even when she started getting cold laying in the lawn, she just furrowed her brow a little bit. She never cried, never whined. I wish more of the adults I work with were like that. And look at those eyes. For anyone questioning that blue, these are not touched up. That's true, straight from the camera color.

And where would a little sister be without a big brother, always at the ready to defend her with a stick.

Oh yeah, and Marvin showed up too, just to take a quick crack at baby photos. Not too shabby for his first try. Way to go Marvin.

Sun Printing Stop-Motion.

The good people at Sun Printing in Wausau finished up the final editing on this stop-motion video we started working on together last month. This started as more than 3,000 still frames and got pieced together into this little film. I shot most of the stills and put them together into raw footage and then the creative department at Sun did the heavy lifting of trimming those clips into a great little story. I love it. Well done, team. Well done.

New Assistant.

As Hired Lens Photography has grown and expanded into new markets during the first part of 2012, we've found the need to bring on more staff. I'm proud to announce the addition of Tallulah Tarkington to our creative department. Though she brings limited experience to the job, she seems eager to learn. As a first step, I need her to stop trying to piddle on the camera bag, but once that's ironed out, I think we should be good to go. A special thanks to Animal Allies in Duluth, MN for helping us find our new helper.

Like photos...only they MOVE!

 

Here's a little sampling of the first couple film clips out of the new camera, the Canon 5D MkII. To be honest, I've been pretty hesitant to start working in video. It's a whole different animal. Different software, different files, different problems. And frankly, I still have a lot of things I want to try with still photography. But after playing with this feature on the new body with some really good lenses in front of it. I'm starting to see the potential to do some really cool things. No solid plans yet, just inklings of ideas. But watch for more of this stuff coming up soon.

Letterpress.

I had a great day yesterday working on a photo project with the good people at Sun Printing in Wausau, Wisconsin. Completely separate from the main project, I grabbed these images of some of their letterpress equipment while I was there. I'll be honest, I only have a vague clue what half these things are or what they actually do, but they look really cool. I'm not going to kid myself and pretend that I'm going to start letterpressing anything, but in another life I think I could have been way into this stuff. It's got all kinds of great little parts and widgets and gears and stuff. It's probably also tedious, so I suspect that I'm way better off leaving it as a romantic, artistic notion than a real life dissappointment. Either way, it makes for some cool photos. Thanks to Craig Bieri for being the human lightstand for these images; you, sir, can hold an umbrella with the best of them, and don't let anyone tell you otherwise.

Craig Bieri-artist, designer, human lightstand

Food.

 

Shooting some food this week. I love this stuff. And not just because you get to eat it when you're done...but that certainly doesn't hurt. Watch for a few more great food images this week and next as we roll through a couple more shoots. And, of course, Marvin had to throw his two cents in on the shoot. That crazy little guy.

The Lakes Community Health Center

I did some more work this week for the good people at the Lakes Community Health Center. These shoots are always great. Nice people to work with, interesting settings. But the challenge is always the same: working in a really small room. Dental and medical exam rooms are not really designed for photography. They're small and they're full of really shiny surfaces that glare and bounce light in all the wrong ways. These rooms are designed for medicine, which makes sense since that's what they're used for 99.72% of the time, but that means that the .28% of the time that I'm working in them is pretty tricky. I usually end up cramming myself into one corner, filling another corner with lighting equipment, and then telling people "just act natural." Not exactly easy to do when your in a room full of blinking lights and there's a strange man cowering the corner brandishing a camera. Still, we always come away with some great images. Watch for more as the winter goes on.

Amazing Racers.

One of the incredible things about being a photographer is that frequently people call you up out of the blue, tell you about something absolutely amazing that's going to happen, and then ask if you'd like have a front row seat to watch said amazing thing happen. Do I want to come watch the Paralympic World Cup? Sure, that sounds awesome. Would I like a press pass so I can get down on the course? Did you even need to ask?

From the get go I was pretty excited to go watch this event, but I didn't realize how incredible it was going to be until I got there. First off, there are teams from all over the world Russia, Canada, Italy, France, Japan. It's always cool to hear coaches yelling at their athletes in different tongues. But on top of that it turned out to be hands down the most impressive show of athleticism I have ever seen.

The first event I caught was the biathalon (skiing and target shooting) for seated skiers. If you're not familiar with seated skiing Google it. It looks really hard. And not like, "oh, I'd be slower than that guy, but I could probably do it" hard. I'm talking "I couldn't do that...at all" hard. I know I'm not a body builder (I know, some of your are probably surprised to hear that...it's true), but I'm in okay shape and I don't know that I could actually propel myself this way on flat ground. Much less up hill. And there were some serious hills on this 7.5 KM course. Yeah you read that right 7 point frickin' 5 K's. Insane. So on top of skiing this difficult course you then have to stop every 2.5 KM to lay down and take 5 pretty difficult shots at a target while your heart is racing and your breathing like...well like you just pushed your self around a 2.5KM course with just your arms. And a bunch of the athletes had perfect shooting records for the day. So with out rambling, let me just say I was pretty much blown away. 

Then came the division for skiers with a visual impairment. And remember that this is a course with some pretty big ups and some pretty big downs. Now imagine navigating that course by following the voice of your guide skier. I would just lay down and give up. They were flying. Then they did their shooting. These athletes shoot with a laser system that gives a tone when they are lined up on the target. I never got close enough or got to talk to anyone about how exactly it worked, but it seemed pretty cool. How often to get to watch blind target shooting? Amazing. Long story short if you ever get the chance to go to a Paralympic World Cup, Go. Where ever your seats happen to be.

 

More from Marvin.

 

I've really been getting into this new technique over the last week or so. Here are a few more images from Marvin, the 1949 Kodak Dualflex II. I've been honing this style a little, figuring out which configurations of equipment and settings seem to be working the best. I've even been making some custom pieces for the camera to block out unwanted light. I'm sure I look relatively insane trying to use this two camera contraption, but I don't care. The results are worth it.  There's still more tweaking to be done, but, for the most part, I think I have it figured out. Now I just need some people for a few photos; models if you will. But not the prima-donna "I simply won't work without a bowl of peeled grapes and bottle of san pellegrino" kind. I need the northwoodsy, down to earth kind. Potentially, the kind that come with their own massive beard and shotgun accessory package. I have a couple ideas. Also, anyone have a classic three piece suit? Send me an e-mail and we'll set up a time. ((**WARNING: If no one volunteers, I will be forced to continue posting random images of myself and other inanimate objects. And nobody wants that, people. No body.**))

Redesign.

It's 2012. And that means it's time for some changes. Especially here on hiredlens.com. Like shaving off the itchy, frazzled whiskers of an overgrown beard, we've trimmed down to a cleaner, more streamlined, and, I dare say, more handsome version of the same, good-old site. Wielding HTML like a fresh razor and Adobe Flash like warm shaving cream, we've managed to scrape away the superfluous chaff to get down to what really matters. But much like shaving off an unsettling large amount of facial hair, you're bound to miss a little here and there, so bear with us as we find and remove those last few scraggly wisps of the old design. And keep checking back to see what's new in 2012. In the mean time, keep it real out there, people.

The Original Hipstamatic. (aka a camera).

Was that photo taken with an iPhone and the hipstamatic app, you ask? Oh, no. That's a real photo taken with a real F#$%^ camera, my friends. Remember those: little black boxey deal, you put a roll of this plasticy stuff in the back and then used them to make photographs. Anyone? No? Hmmm. Okay, to be fair I didn't shoot these with film, but I did use an old camera. I fanoogled a way to shoot through the old body and lens (complete with 60 years of true grit) using my current digital SLR. Pretty sweet. This particular one is a Kodak Dualflex II circa 1949. It's amazing the things you can find in your parents basement. Watch for some new stuff from this little guy ( I think I'm going to name him Marvin) in the next couple weeks. I've got big plans.